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Sovereign (The Shardlake series, 3)

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A. I think the use of torture as a routine policy instrument by Stalin and Hitler so horrified the world that it was outlawed in international law. I wasn’t consciously thinking of Abu Ghraib and Guantánamo when I wrote Sovereign, but quite possibly it influenced me subconsciously. Abu Ghraib was bad enough but the chilling thing about Guantánamo is that practices that clearly constitute torture were given official sanction. Worse, they have a vengeful flavor about them. States do not have the right to indulge themselves in that way.

Matthew Sharlake comes face to face with Henry's reign of terror (and the machinations of his henchman such as the conniving Sir Richard Rich) the book revealing Henry as a cruel tyrant , while discovering embaraasing facts that put his life in danger , and keep us speculating in an excellent cross between historical and detective novel. What is still true – astonishingly, in the twenty-first century – is that Queen Elizabeth II retains the title Henry VIII took for himself: Supreme Governor of the Church of England, Defender of the Faith and – in theory at least – God’s chosen representative in England. Tercer libro de la saga y aunque ya venía avisado, me ha sorprendido de forma grata saber que mantiene el nivel con respecto al anterior. Cierto es que la quinta estrella es raspada, pero no menos cierto es que lo he disfrutado mucho y se las merece. The numbers involved also allow for a rare sense of scale, creating bustling street scenes and grand processions. It’s a lot of bodies to choreograph, something that co-directors Juliet Forster, Mingyu Lin and John R Wilkinson do skilfully. There are some moments where the narrative sags or the stage pictures lose focus. But overall, Sovereign makes for a fitting celebration of York’s people and its long theatrical history. This is a series that just seems to get better and better. In this third book in the Shardlake series, lawyer Matthew Shardlake is now working for Archbishop Cranmer, with Lord Cromwell now executed. Shardlake and his manservant Barak are sent north to York, where they are to assist with petitions to King Henry VIII on his great Progress to visit northern cities. In addition to this Shardlake is to oversee the welfare of a political prisoner who must be returned safely to London Tower for professional interrogation.My, how things have changed (not, sadly). Henry VIII’s England. C. J. Sansom drops you straight in it, stink and all. I love the Matthew Shardlake series, but I find I have to come up for air before diving into the next book.

Even if heart-pounding suspense and stomach-tightening tension were all Sansom's writing brought to the table, few would feel short-changed. Added to these gifts is a superb approximation of the crucible of fear, treachery and mistrust that was Tudor England, and a memorably blood-swollen portrait of the ogreish Henry's inhumane kingship. A parchment-turner, and a regal one at that. * Sunday Times * Tamasin Reedbourne – a junior servant who worked for Queen Catherine Howard; when Queen Catherine was executed, she became Barak's wife There’s more than one kind of mystery at play in this adaptation of CJ Sansom’s historical crime novel. The scene opens not on Matthew Shardlake, Sansom’s lawyer-detective protagonist, but on a centuries-old local theatrical tradition: the York Mystery Plays, performed on wagons by city guildswomen. Until, that is, Henry VIII arrives, putting an end to this much-loved ritual. Clea Simon of The Boston Globe wrote that Sovereign was not only longer, but demonstrated greater depth of plot than Sansom's previous novels, calling it an "engaging mix of history and fiction". [3] But the murder of a local glazier involves Shardlake in deeper mysteries, connected not only to the prisoner in York Castle but to the royal family itself. And when Shardlake and Barak stumble upon a cache of secret papers which could threaten the Tudor throne, a chain of events unfolds that will lead to Shardlake facing the most terrifying fate of the age . . .This tale is set in the year AD 1541, and King Henry VIII heading for the North on his Progress accompanied by his new wife, Catherine Howard. Since this is a mystery series, you get what you paid the admission price for. Murder..or is it accidental death? I shall not tell. Aggravating antagonists. Miserable creatures. Miserable dungeons. And mystery abounding. Corre el año 1541 y la dinastía Tudor en manos de Enrique VIII se tambalea. Tras la caída de Thomas Cromwell el ímpetu de partido reformista se ha atenuado y corren las cabezas y las tripas tanto de papistas como de reformistas exaltados, sin embargo al rey se le presenta un problema interno importante y de difícil solución. In York, resentment of King Henry and all those associated with him runs high, and Shardlake finds himself hunted by an unknown assailant.

Things aren’t all they seem however and Matthew soon finds himself in the middle of a dangerous conspiracy, one against his King...

The magic of this series for me is not the who done it and the chasing rabbits down holes, although that helps of course, no the magic of this series for me is the atmosphere. Nobody gives the world Tudor England like C.J. Sansom. Except maybe Hilary Mantel, but then I have not read her books and can only surmise. Simon, Clea (9 April 2007). "With 'Sovereign,' historical whodunit series shows growth". The Boston Globe. p.27 . Retrieved 13 October 2023.

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