Powers of Horror: An Essay on Abjection (European Perspectives) (European Perspectives Series)
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We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. This statement appears paradoxical, but what Kristeva means by such statements is that we are, despite everything, continually and repetitively drawn to the abject (much as we are repeatedly drawn to trauma in Freud's understanding of repetition compulsion).
According to Kristeva, the best modern literature ( Fyodor Dostoyevsky, Marcel Proust, Jorge Luis Borges, Antonin Artaud, Louis-Ferdinand Céline, Franz Kafka, etc. So, see: the real tension is between our careful Me/not-me mental construct of selfhood and the abject within. Kristeva is one of the leading voices in contemporary French criticism, on a par with such names as Genette, Foucault, Greimas and others. As a post-modernist thinker, Bulgarian-French philosopher Julia Kristeva believes that the only way one can relate to or understand the world is through the medium of language, and anything that is completely non-linguistic is literally unintelligible.Leon Roudiez (who died in 2004 I believe) translated several of Kristeva's works and I did enjoy reading those but the translation he did for this book seems a little off.
Where the integrity of that slash (/) in the self /other mental construction is threatened by representations which collapse or disrupt the sign/referent template underpinning it. Then she takes it to even higher heights with this simultaneously adulating and excoriating criticism of Louis-Ferdinand Céline, and it's one of the few pieces of literary criticism that reaches the brilliance of a Susan Sontag or a Walter Benjamin. However, I would quite appreciate anybody to respond with a summary of anything interesting in this book, as I found very little; and I'm very intrigued to find this book got such a high rating from so many readers. Kristeva was the inaugural recipient of the Holberg International Memorial Prize in 2004 “for innovative explorations of questions on the intersection of language, culture, and literature. Admittedly, parts of it will be near-incomprehensible the first time through (unless you wrote your dissertation on Lacan, I suppose).I think that Kristeva’s awareness that there is an element of desire within the human approaching the abject.